Learn › Gmaj7 Chord on Piano, Left Hand
New Released in April 2026
Gmaj7 Chord on Piano, Left Hand
For the G major seventh chord (Gmaj7) on piano, the left hand takes G, B, D and F# with fingers 5 3 2 1. This page shows where the hand sits, which patterns to play, and how to change chords without jumping.
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Left-hand Gmaj7: shapes and fingers
Play each position slowly, then name the bottom note: that note is what the listener hears as the bass. Black keys: F# (finger 1). White keys: G B D (finger 5, 3, 2). Move the hand slightly in so the fingers on black keys do not slip.
| Position | Notes, bottom up | Fingers |
|---|---|---|
| Root position | G B D F# | 5 3 2 1 |
| 1st inversion | B D F# G | 5 3 2 1 |
| 2nd inversion | D F# G B | 5 3 2 1 |
| 3rd inversion | F# G B D | 5 4 2 1 |
Five left-hand patterns on Gmaj7
Same chord, five rhythms. The pattern changes the style more than the notes.
| Pattern | Notes | Good for |
|---|---|---|
| Block chord | G+B+D+F# | slow songs, ballads, the first week |
| Walk up the chord | G B D F# | linking chords, a bass that sings |
| Octave bass | G+G | loud endings, big chorus |
| Shell: root and seventh | G+F# | jazz, leaves room for the right hand |
| Root, third and seventh | G+B+F# | smooth chord changes in jazz standards |
A progression for the left hand: Gmaj7 → Em7 → Am7 → D7
Each chord takes the position closest to the one before. Notes that two chords share stay under the same finger.
| Chord | Left hand plays | Keys that stay |
|---|---|---|
| Gmaj7 | G B D F# (Root position) | starting chord |
| Em7 | G B D E (1st inversion) | G B D |
| Am7 | G A C E (3rd inversion) | G E |
| D7 | F# A C D (1st inversion) | A C |
Both hands on Gmaj7
Over Gmaj7, the safest right-hand notes are the chord notes G B D F#; scale notes between them work as passing notes.
Try the right hand in another position of Gmaj7 while the left holds root position.
Practise left-hand Gmaj7
- Place finger 5 on G, then let the other fingers fall on B, D and F#.
- Go through the patterns in the order of the table: block chord; walk up the chord; octave bass; shell: root and seventh; root, third and seventh.
- Play Gmaj7 → Em7 → Am7 → D7 slowly until the change happens without looking down.
- Then keep the left hand steady while the right hand plays any chord note: that is the goal.
Come back tomorrow and start from the pattern you found hardest today.
Train Gmaj7 against the clock
ChordRunner shows a chord symbol and checks the notes you play, in any octave and any position, so a left-hand Gmaj7 counts. Plug in a MIDI keyboard or use the microphone with an acoustic piano.
Play the demoCommon questions
What fingers do I use for Gmaj7 in the left hand?
Root position 5 3 2 1, from the bottom note up. 1st inversion 5 3 2 1, 2nd inversion 5 3 2 1.
Can the left hand play just two notes of Gmaj7?
Yes: root and seventh, G F#. Root and seventh already say which seventh chord it is; the right hand adds the third.
Why are left-hand fingers different from the right hand for Gmaj7?
Because the hand is mirrored: the little finger (5) sits on the bottom note G and the thumb on top. The right hand would play the same notes with 1 2 3 5.
Can I practise left-hand chords with a MIDI keyboard?
Yes. ChordRunner detects a USB MIDI keyboard automatically, and an acoustic piano works through the microphone. It accepts Gmaj7 in any octave, so you can train the left hand alone.
Your instrument is the controller.
ChordRunner is a browser game that teaches piano and guitar chords: a chord appears on screen, you play it on a real instrument, and your runner jumps. MIDI keyboard or microphone, both work.
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